Jean Shrimpton :”‘Bailey’ was how he introduced himself and that was all I ever called him.” Aged 18, Jean rapidly found herself entwined with the East End boy on the up, who was five years her elder. Duffy told Bailey she was too posh for him, but Bailey was not discouraged. They met in 1960 at a photo shoot that Jean, who was still an unknown model, was working on with photographer Brian Duffy. ‘Shrimps are horrible pink things that get their heads pulled off! ) was also known for her long hair with fringe, wide doe-eyes, long wispy eyelashes, arched brows and pouty lips. Jean (nicknamed ‘The Shrimp’, a name she hated. Breaking the popular mould of voluptuous figures with her long legs and slim figure. Jean contrasted with the aristocratic-looking models of the 1950s by representing the fresh, cute coltish look of the 1960s Swinging London. She was described as having ‘world’s most beautiful face’, was dubbed ‘The It Girl’ and ‘The Face of the ’60s’. During her career Jean Shrimpton was widely reported as ‘the world highest paid model’ and ‘the most famous model’. In 1960, aged 17, she began modelling and later appeared on the covers of Vogue, Harper’s Bazaar and Vanity Fair. Director Cy Endfield suggested she attend the Lucy Clayton Charm Academy’s model course. She enrolled at Langham Secretarial College in London when she was 17. Jean Rosemary Shrimpton (born 7 November 1942) was born in High Wycombe, Buckinghamshire and brought up on a farm. He took offbeat, realistic poses against gritty backgrounds. This changed fashion forever and made David Bailey and Jean Shrimpton fashion icons. David Bailey, being passionate and stubborn about his work, changed all this by breaking the rules. At the time almost everything was shot in a studio and all followed a classic guideline of poses and looks. Jean had a very clean, fresh look to her and was different to all other models working for Vogue. The exhibition “Dreaming of the Mediterranean” goes until September 18 th but could be extended.The BBC4 drama ‘We’ll Take Manhattan’ shows a young photographer David Bailey in 1962, who got commissioned (by fashion editor Lady Clare Rendlesham) to create a 14 page story for British Vogue in New York and the style had to be ‘young and fresh’. Bailey, as Jean always called David, insisted on using his girlfriend Jean Shrimpton as the model. Antoine Pierini invites you to that journey at Villa Kerylos. The poet Kostantin Cavafy is quoted as saying “”May the journey be long, may there be many summer mornings, when (with what delight!) you will enter ports seen for the first time”. In the end what you have before you is the merging of antiquity and modernity and as you watch the light reflecting through the sculpture you too are put to dream. The work of Antoine Pierini is an invitation to travel with him to the Mediterranean and to dream. In the midst of the works and the visual and sound installations, Homer sings to the visitor’s ear the destinies of men, while the words of Albert Camus, describing his stay in Athens “as a single source of light that I will be able to keep in the heart of my life”, resonate in each glass work. The roots of his work lie in Mediterranean antiquity, but the focus remains on modernity. His amphorae, made of coloured glass, whole or fragmented, cohabit at the Villa Kérylos with ancient amphorae, covered with thousand-year-old concretions and witnesses of shipwrecks on a sea that remained untamed. Some of the work currently on exhibit at the Villa Kérylos was made specifically for the Villa. As an heir to the knowledge of his father, he carves his own path as a sculpture creating work that is as well suited for the interior as the exterior. His father was a pioneer in the “Studio Glass Mouvement” in France in addition his aunt and uncle and cousin are among the most famous French glassmakers. Through observation and practice he mastered the art of working with the molten material.Īs an artist he’s done residencies around the world and encountered the greatest names in glass. Pierini learned techniques and the gestures of glassblowing by observing his father and travelling with him visiting exhibitions. His passion for the art of glassblowing has only grown with time. Pierini is a self admitted dreamer, he was dreaming as a child and as an adult he creates and lives his dreams. It is no wonder that at the age of six the artist and sculpture, Antoine Pierini, created his first work of art. Imagine growing up in a family of artists and watching the magic of glass blowing from childhood. The artist and sculptor, Antoine Pierini, was invited to exhibit his blown glass masterpieces in The Villa Kérylos from May 8 th to September 18 th. Portrait, grossesse, photographe nice, photographer, photographe lifetstyle, frenchriviera, photographe cote d’azur
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